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Electro-Voice HR9040A & Peavey FH-1 Horn Speakers





A fellow audiophile, Sean, who had purchased one of my amplifiers years ago, has EV HR6040 horns mounted to EV DH1012A drivers.  He uses EV XEQ808 crossovers.  He raves about the sound of the somewhat rare driver/horn combination.  
When I saw what appeared to be EV DH style horns listed on Facebook marketplace, I nabbed them.  After obtaining and measuring the horns, I identified them as EV HR9040A models.
In search of DH1012A drivers, I posted a wanted ad on the Klipsch forum.  A fellow Klipsch aficionado and another audiophile who had purchased one of my early amplifiers, saved the day and had two DH1012's.  Thanks Michael!
For bass cabinets, I found a pair of fairly rough Peavey FH-1 cabinets.  There is a lot of information about these folded horns on the Klipsch forum.  More than a few users, who have compared them directly to the Lascala folded horn, believed the sound of the FH-1 to have the edge.  Researching drivers for the Lascala or FH-1, the number one choice of those that have done lots of experimenting, put the Eminence Kappa 15c at the top of the podium.  I removed the old, non-working Peavey Black Widows and installed a pair of Kappa 15c's.  The cabinets were painted and traditional binding posts were installed.
I was able to source a pair of vintage EV XEQ808 crossovers on Ebay.
How do they sound?  Dynamic, smooth, revealing with a HUGE soundstage.  As with Klipsch Lascala, the folded bass horns only reach down to approximately 50hz.  However, the bass that is there has slam and speed that folded horns are known for.  For the money invested, I'm quite pleased with the flavor of sound these produce.  Big band and jazz are among my favorite genres of music and these excel with that material.  

TPA3116 Integrated Amplifier with Cardas bits (Sold to Jake J.)

 



This commissioned integrated amplifier, with rear mounted Alps blue velvet potentiometer was built in 2020.  The recipe includes many boutique Cardas brand audiophile quality parts.  These parts include Cardas machined solid copper binding posts, Cardas RCA connectors, Cardas teflon insulated high purity copper output wire, Nichicon and Panasonic capacitors, Alps blue velvet volume potentiometer.  Western Electric panel meter adorns the walnut faceplate and sweeps to the center when the amplifier is powered on.  The amplifier was upgraded in 2022 with my current reference, a high purity copper EI style transformer.   The audiophile who owned this amplifier traded it in toward an amplifier with a different meter and faceplate.  This formerly owned amplifier is listed for sale on US Audiomart.

16x16x5.5 enclosure

20 watts into 8 ohms 40 watts into 4 ohms

TPA3255 (Sold to Michael of Perrysburg, Ohio)

 

Features include: 3e Audio Amplifier board mounted on neoprene isolators, Hammond toroidal transformer, Nichicon Fine Gold on the power supply.   KLEI Harmony copper binding posts and RCA’s.  Dueland cotton insulated tinned copper wiring with WBT silver solder used throughout.  A gorgeous sounding amplifier.

How to purchase a Fleawatt Amplifier

Since I only build amplifiers as a hobby, when one is available to purchase, it will be posted on here and US Audiomart.  I am not taking on custom builds at this time.

TPA3255 Amplifier (Sold to Robin L. of Los Gatos, California)

 


Oil varnished cedar faceplate, vintage analog panel meter, large Antek toroidal transformer, regulated linear power supply with Nichicon Gold power supply capacitors.  Belden brilliance input wire and Dueland cotton insulated stranded copper output wire.


TDA 7492 Amplifier (Sold to Jeff of Toledo, Ohio)

 


TDA7492 producing 20 watts per channel into 8 ohms.
This chip is a real sleeper. As with any amplifier, system synergy is key, but the TDA7492 is stunning with certain speakers.  The owner of this amplifier auditioned many different amplifiers with his Klipsch KLF-20 speakers and settled on this amplifier for it’s superlative sonic attributes.
This amplifier was built with a Triad Magnetics power transformer, Dueland cotton insulated output wire and Belden brilliance input wire.  A vintage panel meter adorns the hand finished cedar faceplate.

Ayima A07 Amplifier Adventures & Modifications


This modded A07 was sold to Brad M. in Stone Mountain, Georgia

 
In 2004, Six Moons reviewed the $39 Sonic Impact Tripath amplifier.  At that time, this amplifier took the budget audiophile world by storm.  The “Sonic T” as it was affectionately called, came scary close to the sound of many very respectable low watt amplifiers.  DIY Audio enthusiasts, myself included, began experimenting with Tripath “chip amps”.  Around that same time, Gainclone amplifiers, based on the class A/B LM3886 integrated circuit were also wildly popular among DIY’ers.  Then, the Texas Instruments TPA3110 & 3116 entered the scene and many audio enthusiasts concluded they were a less lean sounding alternative to some of the Tripath offerings.  Fast forward and the current budget amplifier making a splash is the Ayima A07 using the Texas Instruments TPA3255, which is the more powerful offspring of the TPA3116.  

YouTube reviewers abound and there are no shortage of positive reviews of this amplifier.   Purchasing a few of these brought me back to my Tripath amplifier modding days.  There are several recommended modifications to the A07 to make incremental improvements.  

Some of these suggested modifications are replacing the input buffer Op Amps.  Sparkos Labs specifically, makes a well executed and reportedly good sounding op amp. (Shout out to Sparkos for the quick shipping and friendly service)  The heat sink in the stock A07 is not well ventilated, so many have drilled holes in the enclosure to properly vent it.  Some of the early A07’s came with Nichicon power supply capacitors.  Mine did not and were generic types.  Replacing these is often beneficial.  These capacitors are quite close to the heat sink.  Some heat reflective tape on the side of the capacitors nearest the heat sinks was recommended by several people.  

My stock A07 did have some static while idle and rotating the volume pot.  Once the volume is set, this is a non-issue, but the volume pot, I suspect, is a very low cost affair.   I won’t post a review of the stock A07, but I would say that most of what one would read on-line or see in a video is accurate.  This is definitely a budget audiophile’s dream come true.  

I bought three of the A07’s to experiment with.  First, I did the recommended Op Amp and capacitor swaps.  In addition, I swapped the stock output wire with some short pieces of Dueland tinned copper wire.  These modifications allowed me to keep the amplifier board in the stock enclosure, although the top lid had to be modified to accommodate the increase height of the op amps and Nichicon capacitors.  These changes did make a subtle change in the sound of the stock amplifier.  Whether they were worth the expense would depend on one’s budget and how much they value incremental increases in performance.

Next, I was curious to find out how replacing the external switching power supply brick with a large, high quality linear power supply would impact the A07.  Obviously this would require a larger enclosure to envelope a big transformer and power supply board.  Since the A07 circuit board would need to be removed to mount in a larger enclosure, I also felt it was appropriate to grace the A07 with a better volume potentiometer, binding posts, hook up wire and RCA connectors.  All of these modifications and additions come at somewhat of a high cost.  Were they worth the money and time?  For me, yes they were.  The most notable improvements in my system was the separation of instruments, larger soundstage and tighter, deeper bass.  I found the sound thoroughly pleasing.  As with anything in this hobby, preferences in sound presentation are subjective and often system dependent.   

If you have an Ayima A07 and would like it modified or placed in a new enclosures with linear power supply, please contact me.  If you don’t already have one and are curious, I have a few stock units on the shelf waiting to be all dressed up.  Happy Listening!




The fully Hot Rodded Ayima A07 complete with a vintage Hewlett Packard Panel meter.






Lii Audio F-15 Open Baffle Speakers (Built for Chuck in Ann Arbor, MI)




The Lii Audio F-15 is a wildly popular full range driver that excels in open baffles.
It is a true full range driver with no help needed in the bass department.
This pair was built using 1.5” thick butcher block and steel L brackets for support.



Mark Audio Pensil 10.3 designed by Scott Lindgren

 




Having built dozens of single driver speaker designs, many of which were designed by Scott Lindgren, I must say the pensil cabinet with the Mark Audio Alpair 10 v.3 is a stellar performer.
Numerous accolades abound regarding this driver.
I built my pair using Baltic Birch, Walnut Veneer from Rockler, 
Lamp Black paint from General Finishes, outriggers, binding posts and binding post plates from Dayton Audio.  This is my personal current reference speaker.

“Coltrane” (Sold to David of Norwalk, Connecticut)

David, who commissioned this amplifier, wrote to me that he owes his passion for music, notably jazz and for fine audio wares, to his father.  He was an audiophile and introduced David to Coltrane, Monk, Errol Garner, Oscar Peterson and others.  David’s father passed away in 2014 and David felt the greatest gift his father left him was instilling in him his love of music.   At David’s request, this amplifier has been named “Coltrane”.



This TPA3116 amplifier includes a high purity copper EI transformer, a regulated power supply with Nichicon Gold Tune capacitors, Klei naked Harmony RCA connectors and binding posts. Input wiring is shielded Belden Brilliance and output wire is Dueland brand cotton insulated stranded copper. A US Navy stamped vintage Western Electric meter adorns the last piece of Ambrosia Maple from the stock I obtained with this striking grain pattern.

Ambrosia Maple Western Electric Meter (Sold to Mark of Shreveport Louisiana)

 



1/2” thick ambrosia maple faceplate with a hand rubbed oil varnish, vintage Western Electric panel meter,  made in USA powder coated aluminum enclosure, 150VA copper shielded EI Transformer, Belden Brilliance shielded input wire,
Nichicon Gold Tune and OSCON capacitors, Dueland cotton insulated tinned copper output wire,
KLEI Naked Harmony binding posts and RCA connectors.
20 watts into 8 ohms - 40 watts into 4 ohms
$975

Ambrosia Maple TPA3116 (Sold to Richard N. of El Portal, Florida)

 

This build features a 1/2” thick ambrosia maple faceplate.  Vintage panel meter.
Solen binding posts, REAN gold plated RCA connectors, large high purity copper EI transformer,
regulated power supply with Nichicon Gold Tune and OSCON capacitors.  Dueland cotton insulated output wire and fully shielded copper input wire.  



“Gershwin II” (Sold to Sean of Brooklyn, NY)

 

Handcrafted, one of a kind.
TPA3116D2 with all the boutique audiophile bits.
Vintage US Navy panel meter.
Solid walnut faceplate. 
American made aluminum enclosure.

KrappyKables Interconnects

 

It’s always exciting to discover a piece of audio gear that doesn’t just result in a different flavor of sound, but takes one’s system to the next level of musical enjoyment.  After thirty years in the hobby, this is quite a rare occurrence.

Inserting a pair of KrappyKable interconnects into my system, I had that exact exciting experience.  Using my Fostex FF165K equipped Frugal Horn XL’s and one of my TPA3116 amplifiers, I was gobsmacked by the bass response improvements over my previous two reference interconnects!  Not only was the bass deeper, but it was tight and tuneful.  Midrange was as hauntingly real as my previous cables with perhaps a bit more separation between instruments.  The bass response alone had me sold on these as my new reference.  I’m looking forward to trying out their speaker cables in the future. Link below for more information.


KrappyKables

“Texas Oak” Sold to Tim of Bella Vista, AR

 


20 watts per channel into 8 ohms.  40 watts into 4 ohms.
Handmade in Texas heavy aluminum enclosure with solid Oak side panels.
Oversized, high purity copper EI transformer, OSCON and Nichicon Muse power supply capacitors, Belden Brilliance fully shielded input wire, Alps blue velvet volume potentiometer, REAN RCA input connectors, Cardas machined copper binding posts and a machined aluminum volume pot knob.



Two input integrated (Sold to Larry of Montgomery, Texas)

 



 

Two input integrated amplifier producing 20 watts into 8 ohms.
Alps Blue Velvet volume pot, genuine Fender guitar volume knobs,
Cotton insulated high purity copper output wire and Nichicon gold tune power supply capacitor.

Perdomo 20th Anniversary Cigar Box Stereo. (Sold to Emre of NYC)

 



 Commissioned Cigar Box Stereo.  TPA3116 amplifier with 
Tang Band 3” full range drivers.  Regulated power provided by external power supply.
Inputs are 1/8” stereo input or traditional RCA’s.  Integrated power switch/volume pot.
Perfect for use with external Bluetooth receiver or Wi-Fi Streamer.


“Sotho Blue” TPA3116D2 (Sold to Rich of Clarksville, Tennessee)

 


Beautiful Maple faceplate with US Navy stamped General Electric panel meter.
R-Core transformer, Nichicon KG and Panasonic OSCON capacitors.
KLE Innovations harmony binding posts and Jupiter Condenser high purity copper hook up wire.
20 watts per channel into 8 ohms
40 watts per channel into 4 ohms

"Murat 124" TPA3116D2 (Sold to Emre of New York City)

 


This amplifier was made with an external power supply by special request.  
Hammond diecast aluminum enclosure.  Three inputs with a side mounted rotary Alps switch.
Other features include Nichicon Fine Gold capacitors, rubber isolators under circuit board, REAN RCA connectors and Jupiter Condenser cotton insulated 4N copper wire.  Cardas Solder used throughout.